2023.11.9 / Week 7
Velicia Raquel Dewi Setiawan / 0369188 / Bachelor of Design (Honours) in
Creative Media
Digital Photography and Imaging
JUMPLINK:
- WEEK 1 Introductions
- WEEK 2 Physical College
- WEEK 3 Physical College
- WEEK 4 Digital Collage, &; Adjustment; Filters
- WEEK 5 Hearst Mansion
- WEEK 6 Black &; Recoloring Black White
- WEEK 7 Double Exposure
- WEEK 8 No Class
- WEEK 9 Digital Surrealism
- WEEK 10 Introduction to After Effects
- WEEK 11 Final Project Consultation 1
- WEEK 12 Final Project Consultation 2
- WEEK 13 Execution & Post Production
- WEEK 14 Final Submission
- PROJECT 1 Collage and Digital Imaging
- PROJECT 2 Digital Imaging Exercises &; Conceptual Product Photoshoot
- PROJECT 3 Self-Titled
LECTURE
Week 7 - F2F Class (Nov 9, 2023)
1. DOUBLE EXPOSURE &; IMAGE BLENDING MODE
What Is Double Exposure Photography?
Double-exposure photography refers to merging multiple images. The goal is to
make them surreal, emotional, or humorous. They usually feature silhouettes.
The double exposure effect may look complicated at first. But it's easy to
make in-camera and in Adobe Photoshop. You don't need a double exposure
camera, as there are a few other ways you can create them.
1. Using the Tilt-Shift Effect
Photoshop has a great tilt-shift tool that will transform your photos into
soft works of art. If you want to be extra creative, blur one of your photos
instead of the entire Image. Or blur everything except for one important
detail. To add this feature, go to Filter > Blur Gallery > Tilt-Shift.
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Fig 1.1.1 Tilt-Shift Effect Example, Week 7(Nov 9, 2023).
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2. Create a fake reflection
There are many ways you can create reflections. One of them is creating a
double exposure with the help of a separate window photo. This is an example
of the main subject surface with raindrops and bokeh. This helps to add
interesting textures to multiple-exposure photography.
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Fig 1.2.1 Fake Reflection Example, Week 7(Nov 9, 2023).
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3. Experiment with simple portraits and textured
Combining something plain with something complicated will Give you a balanced
result. It will also save a lot of simple photos that you might discard.
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Fig 1.3.1 Portraits and Details Textured Example, Week 7(Nov 9,
2023).
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4. Convert your results to Black &; White
A lack of color will strengthen the emotions in your double-exposure images.
If you want to express your work in a vulnerable way, experiment with this. It
gives them a unique depth and allows you to experiment with something
interesting just like film photography.
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Fig 1.4.1 Black &; White Example, Week 7(Nov 9, 2023).
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5. Work with silhouette
Many double-exposure photographers choose to work with silhouettes. But what
if you worked with silhouettes only? It would give you a fun and doable
challenge. And an opportunity to show very creative sides of yourself. Try
silhouettes of yourself, other people, or random objects. Anything else that
catches your eye can create unique composite images.
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Fig 1.5.1 Silhouette Example, Week 7(Nov 9, 2023).
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6. Pick two random photos
A random process doesn't mean it's not meaningful. Your results might create a
story of their own, one that others will find encouraging. A lot of
double-exposure photography was a happy accident. But they led to great
feedback and even greater creative growth. Try and forget about any other
double-exposure ideas. Shoot interesting textures, shapes, and forms instead.
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Fig 1.6.1 Two Random Photo Example, Week 7(Nov 9, 2023).
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7. Make simple objects look fascinating
Take photos of everyday objects you usually take for granted. Try to make them
look like something else. A silhouette of a dull-looking building could become
the outline of a starry sky like the photo below. This technique will enhance
your imagination.
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Fig 1.7.1 Simple Objects Example, Week 7(Nov 9, 2023).
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8. Use Shadow
Outlines of any kind are fantastic to work with for double-exposure
photography. Shadows are as effective as silhouettes in this genre. They’re
fascinating to work with.
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Fig 1.8.1 Shadow Example, Week 7(Nov 9, 2023).
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Take a photo of someone’s shadow and transform it into a story. You can do
anything your heart desires with outlines of this sort. All you have to do is
go out, take photos of a few shadows, and turn them into something beautiful.
2. Where Did Double Exposure Start?
Towards the end of the 19th century, well before multiple exposure settings on
DSLRs, or CGI in Post-production, photographers and filmmakers had to create
realistic worlds with what they had. And when they discovered how they could
double expose a shot, they arguably discovered the very first special
effect.
The 1898 film Four Heads are Better Than One by Georges Méliès. He was just as
much of a magician as he was a filmmaker and it was his curiosity and
innovation that helped create what we now think of as chroma key compositing.
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Fig 2.1 Four Heads are Better Than One (1898), Week 7(Nov 9,
2023).
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Double exposure is a powerful storytelling tool. It captures hidden elements
in a scene that can scare, inspire, or delight your audience. It can also
provide context for what’s about to come. In the opening credits of True Detective, we get just that. Watch StudioBinder’s motion graphics artist and video
editor discuss how double exposure sets the tone.
3. PHOTOSHOP: Blend Modes
Working with blend modes is almost always an experimental process. Because
it's nearly impossible to predict the results, you always seem to end up
experimenting with different modes and Fill Opacities until you get the
results you're looking for.
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Fig 3.1 Blend Modes, Week 7(Nov 9, 2023).
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Here's a quick guide and more:
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Fig 3.2 Musicians and Fire, Week 7(Nov 9, 2023).
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Select Layer 1 (Fire) to be on top of the Background (Musicians)
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Go to the Blending Modes option
- Select "Screen"
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As a result, all of the pixels on the fire will be selected as Screen
blending mode.
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Fig 3.3 Results of Blending, Week 7(Nov 9, 2023).
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Adding a Moon to your Landscape using Photoshop Luminance Blending
REFERENCE:
We got a task to make a double exposure following a tutorial and the images
given, then we needed to make our own double exposure using our portrait and
we were given the freedom to add whatever images from the internet.
TUTORIAL & PRACTICAL
Double Exposure (10%).
Students use specific skillsets from Photoshop to blend their
portraits with layers of background images. You are required to
capture screenshots to demonstrate a step-by-step progression as
to how the visuals are produced (at least 10 steps) and
compile it in a PORTFOLIO PDF. This should be modeled after a
Photoshop/Illustrator tutorial (examples to be provided).
We got a task to create a double exposure using the given image
and following
this video. There are also more tutorials given that we can follow:
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Fig 1.1 Process, Week 7(Nov 9, 2023).
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Fig 1.2 Process, Week 7(Nov 9, 2023).
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Fig 1.3 Process, Week 7(Nov 9, 2023).
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Fig 1.4 Process, Week 7(Nov 9, 2023).
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Fig 1.5 Process, Week 7(Nov 9, 2023).
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Fig 1.6 Process, Week 7(Nov 9, 2023).
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Fig 1.7 Process, Week 7(Nov 9, 2023).
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Fig 1.8 Process, Week 7(Nov 9, 2023).
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Fig 1.9 Process, Week 7(Nov 9, 2023).
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Fig 1.10 Result, Week 7(Nov 9, 2023).
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Then we need to make our own double exposure using our own portrait
(not from the internet) as a base and images from the
internet.
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Fig 1.11 Process, Week 7(Nov 9, 2023).
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Fig 1.12 Process, Week 7(Nov 9, 2023).
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Fig 1.13 Process, Week 7(Nov 9, 2023).
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Fig 1.14 Process, Week 7(Nov 9, 2023).
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Fig 1.15 Process, Week 7(Nov 9, 2023).
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Fig 1.16 Process, Week 7(Nov 9, 2023).
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Fig 1.17 Result, Week 7(Nov 9, 2023).
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I did not realize that we needed to make it with our own portrait
and submitted it with a portrait I got from the internet. However,
Mr Fauzi said that I could make it again with my portrait and the
wrong double exposure can be put in Porotofolio for extra
points.
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Fig 1.18 Process, Week 7(Nov 9, 2023).
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Fig 1.19 Process, Week 7(Nov 9, 2023).
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Fig 1.20 Process, Week 7(Nov 9, 2023).
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Fig 1.21 Process, Week 7(Nov 9, 2023).
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Fig 1.22 Process, Week 7(Nov 9, 2023).
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Fig 1.23 Process, Week 7(Nov 9, 2023).
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Fig 1.24 Result, Week 7(Nov 9, 2023).
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On individual weekly post
REFLECTION
1 Experience
2 Observations
3 Findings
FURTHER READING
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